Deutschland Öl Gemälde Reproduktion, Kein Minimum!

 
 

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Lucas Cranach

1472-1553 German Lucas Cranach Locations

Gemälde ID::  649

Die Heilige Familie
1509 Stadelaches Kunstinstitut, Frankfurt
der Stadelaches Kunstinstitut von 1509, Frankfurt
1472-1553 German Lucas Cranach Locations

   
 

 

 
   
      

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Francisco de Goya

Spanish 1746-1828 Francisco de Goya Locations

Gemälde ID::  1912

Die Heilige Familie
1774 Museo del Prado, Madrid
der Museo von 1774 del Prado, Madrid
Spanish 1746-1828 Francisco de Goya Locations

   
 

 

 
   
      

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Raphael

Italian High Renaissance Painter, 1483-1520

Gemälde ID::  3292

Die Heilige Familie
1518 Musee du Louvre, Paris
der Musee von 1518 duLouvre, Paris
Italian High Renaissance Painter, 1483-1520

   
 

 

 
   
      

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Francisco Jose de Goya

Spanish Rococo Era/Romantic Painter and Printmaker, 1746-1828

Gemälde ID::  10348

Die Heilige Familie
1775Oil on canvas 200 x 148 cm. Museo del Prado Madrid, Spain
1775 Öl auf Leinwand 200 X 148 cm. Museo del Prado Madrid, Spanien
Spanish Rococo Era/Romantic Painter and Printmaker, 1746-1828

   
 

 

 
   
      

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Orlandi, Deodato

Flemish Northern Renaissance Painter, ca.1488-1541

Gemälde ID::  19686

Die Heilige Familie
1521 Oil on panel Mus??e du Louvre, Paris.
das Öl von 1521 auf täfelt Musee du Louvre, Paris.
Flemish Northern Renaissance Painter, ca.1488-1541

   
 

 

 
   
      

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Francisco de goya y Lucientes

b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828,

Gemälde ID::  28087

Die Heilige Familie
mk61 c.1775-1780 Oil on canvas 200x148cm
mk61 c.1775-1780 Öl auf Leinwand 200x148cm
b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828,

   
 

 

 
   
      

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Luca Signorelli

Crtona 1441-1523

Gemälde ID::  29043

Die Heilige Familie
mk65 Oil on panel 48 13/16in Uffizi,Gallery
mk65 Öl auf Unterausschuss 48 13/16in Uffizi Galerie
Crtona 1441-1523

   
 

 

 
   
      

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Jan Brueghel The Elder

Flemish Baroque Era Painter, 1568-1625

Gemälde ID::  33663

Die Heilige Familie
mk86 undated Oil on panel 93.5x72cm Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek
mk86 nicht datiertes Öl auf täfelt 93.5x72cm München, Bayerische Staatsgemaldesammlungen, Alte Pinakothek
Flemish Baroque Era Painter, 1568-1625

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Gemälde ID::  34530

Die Heilige Familie
mk93 c.1634 Oil on canvas 72 1/4x48 3/8in Alte Pinakothek,Munich
das Öl von mk93 C. 1634 auf Leinwand 72 1/4x48 3/8in Alte Pinakothek, München
Born 1606, Died 1669

   
 

 

 
   
      

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REMBRANDT Harmenszoon van Rijn

Born 1606, Died 1669

Gemälde ID::  34549

Die Heilige Familie
mk93 1646 Oil on oak panel 46.5x68.8cm Cassel,Gemaldegalerie Alte Meister Staatliche Kunstsammlungen Kassel
das Öl von mk93 1646 auf Eichenunterausschuss 46.5x68.8cm Cassel, Gemaldegalerie AlteMeister Staatliche Kunstsammlungen Kassel
Born 1606, Died 1669

   
 

 

 
   
      

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James Ensor

Belgian 1860-1949

Gemälde ID::  37433

Die Heilige Familie
mk126
mk126
Belgian 1860-1949

   
 

 

 
   
      

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Martin Schongauer

1430-1491 German Martin Schongauer Galleries

Gemälde ID::  40242

Die Heilige Familie
mk156 1475-1480 Oil on panel 26x17cm
mk156 1475-1480 Öle auf täfelt 26x17cm
1430-1491 German Martin Schongauer Galleries

   
 

 

 
   
      

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Raphael

Italian High Renaissance Painter, 1483-1520

Gemälde ID::  40979

Die Heilige Familie
mk159 c.1505 Oil and tempera on canvas transferred from panel 72.5x57cm
mk159 C. 1505 Öl und tempera auf Leinwand, die von übertragen wird, täfelt72.5x57cm
Italian High Renaissance Painter, 1483-1520

   
 

 

 
   
      

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Albrecht Durer

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

Gemälde ID::  42252

Die Heilige Familie
mk168 pen and ink on paper 204x208mm
mk168 Kugelschreiber und Tinte auf Papier 204x208mm
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

   
 

 

 
   
      

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Albrecht Durer

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

Gemälde ID::  42461

Die Heilige Familie
mk168 160x112mm Temper on vellum
mk168 160x112mm Gemüt auf vellum
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

   
 

 

 
   
      

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Albrecht Durer

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

Gemälde ID::  42475

Die Heilige Familie
mk168 Oil on wood 30.5x38.7cm
mk168 Öl auf Holz 30.5x38.7cm
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

   
 

 

 
   
      

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Jusepe de Ribera

1591-1652 Spanish Jusepe de Ribera Galleries

Gemälde ID::  55733
The Holy family
mk244 253x196cm 1639 Oil on canvas
1591-1652 Spanish Jusepe de Ribera Galleries

   
 

 

 
   
      

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Martin Schongauer

1430-1491 German Martin Schongauer Galleries

Gemälde ID::  55955
The Holy Family
mk247 c.1470,oil on wood 10x6 in,26x17 cm,alte pinakothek,munich,germany
1430-1491 German Martin Schongauer Galleries

   
 

 

 
   
      

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ZURBARAN Francisco de

Spanish Baroque Era Painter, 1598-1664

Gemälde ID::  62298
The Holy Family
121,5 x 97 cm Museum of Fine Arts, Budapest Whereas the names and works of Vel?zquez and Murillo were known and appreciated by European connoisseurs at a relatively early date, Zurbar?n was scarcely known outside Spain, and even now there are not very many of his works to be found in European galleries. Born in Fuente de Cantos, a small village in Estremadura, he studied in Seville and most of his work, almost exclusively commissions for monastic orders and churches, was done there. These circumstances determined his themes and the way he treated them: he painted hardly anything but religious subjects, mostly scenes from the lives of the saintly or monastic visionaries. His pictures are generally characterized by a severe structure, vigorous forms, rustic models and a close and detailed observation of nature. During the last years of his life Zurbar?n worked in Madrid where, mainly under the influence of Murillo, his interpretation became softer, his way of expression more lyrical and his colours lighter. The Holy Family (The Rest on the Flight to Egypt), signed and dated 1659, is a remarkable example of this late period: a simple composition of half-length figures with an intimate charm and emotionalism strongly reminiscent of Murillo
Spanish Baroque Era Painter, 1598-1664

   
 

 

 
   
      

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GRECO, El

Greek-born Spanish Mannerist Painter, 1541-1614

Gemälde ID::  62329
The Holy Family
) 1595 Oil on canvas Hospital of Tavera, Toledo Author: GRECO, El Title: The Holy Family (detail) , 1551-1600 , Spanish Form: painting , religious
Greek-born Spanish Mannerist Painter, 1541-1614

   
 

 

 
   
      

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Anton Raphael Mengs

1728-1779 Dutch Anton Raphael Mengs Gallery

Gemälde ID::  62818
The Holy Family
1769 Oil on canvas, 112 x 91 cm Museum of Fine Arts, Budapest The artist used a single colour, gray, and used the various shades of this colour to create a total pictorial illusion. Artist: MENGS, Anton Raphael Title: The Holy Family Date: 1751-1800 German , painting : religious
1728-1779 Dutch Anton Raphael Mengs Gallery

   
 

 

 
   
      


Gemälde ID::  63693
The Holy Family
1470s Tempera on oak panel, 30,5 x 23 cm Museum of Fine Arts, Budapest The small-size panel obviously intended not for any church but for private devotions in the intimate milieu of a sitting-room is much like a miniature, offering to give pleasure when contemplated at close quarters. The waves of the hair - that of the Virgin undulating softly, that of Joseph more roughly in an elderly manner, the rich golden locks of the Child curling into ringlets - the objects arranged in the foreground to recall a still-life, the carefully delineated veins of the marble balustrade, all evidence this attitude. The faces, particularly that of the Virgin, are definitely of the Dutch type. The colours are gentle, melting into unassuming harmony, the forms are tranquil. The background recalling a goldsmith's work, decorated with pearls and precious stones, greatly contributes to this closed character. Apparently the picture is one of the artist's earliest works, from a youthful period, when the Baroque forms, which later became a fundamental trait of his art, had not yet become dominant.Artist:MASTER of the St. Bartholomew Altar Title: The Holy Family Painted in 1451-1500 , German - - painting : religious

   
 

 

 
   
      

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Hans von Aachen

was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.

Gemälde ID::  67887
The Holy Family
Year unknown (before 1615) Technique Oil on canvas
was a German mannerist painter. His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc. Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time. He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I. Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.

   
 

 

 
   
      

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Francesco Albani

(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

Gemälde ID::  76008
The Holy Family
ca. 1610(1610) Oil on copper 28.5 cm (11.2 in). Height: 37.5 cm (14.8 in). cjr
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

   
 

 

 
   
      

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Francesco Albani

(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

Gemälde ID::  77947
The Holy Family
ca. 1610(1610) Medium Oil on copper cyf
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

   
 

 

 
   
      

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Francesco Albani

(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

Gemälde ID::  82266
The Holy Family
The Holy Familyx, oil on canvas Date 1630 - 35 cjr
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

   
 

 

 
   
      

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RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520

Gemälde ID::  84041
The Holy Family
Date 1518(1518) Medium Oil on canvas transferred from wood cjr
Italian High Renaissance Painter, 1483-1520

   
 

 

 
   
      

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Martin Schongauer

1430-1491 German Martin Schongauer Galleries

Gemälde ID::  84547
The Holy Family
Date between 1475(1475) and 1480(1480) Medium Oil on wood Dimensions Height: 26 cm (10.2 in). Width: 17 cm (6.7 in). cjr
1430-1491 German Martin Schongauer Galleries

   
 

 

 
   
      

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Jan de Bray

1627-1697 Dutch

Gemälde ID::  85185
The Holy Family
Date second half of 17th century Medium Oil on oak panel Dimensions Height: 41 cm (16.1 in). Width: 34 cm (13.4 in). cjr
1627-1697 Dutch

   
 

 

 
   
      

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RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520

Gemälde ID::  85310
The Holy Family
Date 1518(1518) Medium Oil on canvas transferred from wood Dimensions Height: 207 cm (81.5 in). Width: 140 cm (55.1 in). cjr
Italian High Renaissance Painter, 1483-1520

   
 

 

 
   
      

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Francesco Albani

(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

Gemälde ID::  86671
The Holy Family
Date 1630-35 Medium Oil on canvas cjr
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

   
 

 

 
   
      

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RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520

Gemälde ID::  87902
The Holy Family
1518(1518) Medium Oil on canvas transferred from wood cyf
Italian High Renaissance Painter, 1483-1520

   
 

 

 
   
      

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Martin Schongauer

1430-1491 German Martin Schongauer Galleries

Gemälde ID::  88387
The Holy Family
between 1475(1475) and 1480(1480) Medium Oil on wood cyf
1430-1491 German Martin Schongauer Galleries

   
 

 

 
   
      

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Jan Massijs

painted David and Bathsheba in 1562

Gemälde ID::  88854
The Holy Family
1563(1563) Medium Oil on wood Dimensions 118.5 x 91.5 cm (46.7 x 36 in) cyf
painted David and Bathsheba in 1562

   
 

 

 
   
      

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Jan de Bray

1627-1697 Dutch

Gemälde ID::  89495
The Holy Family
second half of 17th century Medium oil on oak panel cyf
1627-1697 Dutch

   
 

 

 
   
      

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Gerhard Wilhelm von Reutern

painted Abraham sacrificing Isaac in 1849

Gemälde ID::  91047
The Holy Family
Oil on canvas. State Russian Museum, Saint Petersburg. Date 1858(1858) cyf
painted Abraham sacrificing Isaac in 1849

   
 

 

 
   
      

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Lorenzo Costa

Bologna 1460-Mantua 1535

Gemälde ID::  92694
The Holy Family
1490 - 1510 Medium oil on panel Dimensions 50 X 40 cm (19.7 X 15.7 in) cjr
Bologna 1460-Mantua 1535

   
 

 

 
   
      

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James Collinson

English Pre-Raphaelite Painter, 1825-1881

Gemälde ID::  95073
The Holy Family
1878 Type Oil on canvas Dimensions 110.5 cm x 85.1 cm cyf
English Pre-Raphaelite Painter, 1825-1881

   
 

 

 
   
      

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Joos van cleve

Flemish Northern Renaissance Painter, ca.1485-1540

Gemälde ID::  96890
The Holy Family
first half of 16th century Medium Oil on cyf
Flemish Northern Renaissance Painter, ca.1485-1540

   
 

 

 
   
      

Joos van cleve
Flemish Northern Renaissance Painter, ca.1485-1540
The Holy Family

        
 
   
 

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